Arc Raider's defining feature, according to Embark's CEO, is all the odd player interactions: 'We did not expect people to take on roles of Defender of the Swamp'

Arc Raiders skins: Key art showing three characters. The one on the left is wearing a blue pincho and holding a pistol ready at their hip. The middle figure is wearing a brown poncho and cowboy hat, facing the camera with a pistol across their chest. On the right is another character in a brown poncho and hat but facing away.
(Image credit: Embark)

I'm a fan of extraction shooters, sure, but I've never liked one as much as Arc Raiders. Now, Embark Studios has made the notoriously difficult sub-genre slightly easier with more forgiving death penalties, plentiful loot, and nicer lobbies, but the standout feature for me is undoubtedly the social element.

I've encountered bloodthirsty raiders who'd fit better in a colosseum rather than Stella Montis, who have challenged me to axe-to-axe combat on threat of death, voiceless raiders who use voice prompts to help me find hidden loot, and battle medics who manage to pop out of thin air to revive me when I get downed by a rogue arc, it seems like Arc Raiders is a sandbox for all sorts of social adventures.

Arc Raiders Unexpected Initiative - Raiders in Buried City

(Image credit: Embark Studios)

"What I like about the game and what I think is interesting is how people are playing the game," Embark Studios CEO, Patrick Söderlund, says in an interview with GamesBeat. "I read an article the other day about how this game is almost like a social experiment.

"The social aspect of how this game is played and the interactions people have in the game and what stories the players tell, that I think is where the glue sits, that is at least why it is appealing to me. I have over 100 hours in this game since launch, and I've played it in various shapes and forms for six years, and I still play it."

I may have toned down just how much Arc Raiders I've been playing as of late, but that's not due to any lack of interest, even if the expedition isn't all that. It's the kind of game that I can comfortably dip in and out of, getting my fill of weird player interactions when I so desire.

Arc Raiders: Key art featuring two raiders holding weapons and standing in the middle of the road, turning to run away from a large Queen spider-like robot on the buildings in the background.

(Image credit: Embark)

"It's the first game that I've played where proximity chat is something that people are completely comfortable with, and that's a natural part of playing the game," Söderlund says. "That to me is pretty cool. And on top of that, all the crazy player stories that unfold as you play the game. I've bumped into people doing crazy things in the game. We did not expect that, we did not expect people to take on roles of Defender of the Swamp or something, we never anticipated that."

To be fair, I don't think anyone saw Boschmerchant, Keeper of the Swamp extraction coming. There are so many examples of odd and charming behaviour in Arc Raiders that nothing really surprises me anymore. Aside from swamp defenders, there's been orderly queues for quest completions, Rat Guards who protect unsuspecting players from extraction campers, Topside sheriffs, and arc wranglers.

"There are things that the game allows for that we maybe didn't think of, like you can jump on top of an arc and ride it," Söderlund says. "We tried that, and we knew that was going to work, but we didn't realise [it would be so common]."

Arc Raiders: Key art of a raider looking over their shoulder in a forest to look at another raider aiming at them in the distance.

(Image credit: Embark)

When you boil it down, all the wacky hijinks that happen Topside are testimony to what a great job Embark has done. One of my favourite traits in videogames is when the devs can simply hand players the right tools to create their own adventures, it's why I love Lethal Company so much.

"The kind of emergent gameplay that you're talking about comes about as a result of a lot of experimentation and iteration, and [Embark] were very clear that you wanted to do that from the beginning," former Nexon CEO Owen Mahoney says. "I think it takes two sides to do that. One is to be able to say this is how we're going to go about the development process, but also having a little extra room to do that and knowing that the team can deliver when you've got the room to experiment.

"But it takes a very high degree of open-mindedness and also self-discipline, otherwise you'll just end up developing a game forever. I think Embark and the team are very unique in that way, in their ability to experiment."

Arc Raiders Field DepotsArc Raiders Field CratesArc Raiders Greasing Her PalmsArc Raiders A Reveal in RuinsArc Raiders The Root of the MatterArc Raiders Armored TransportsArc Raiders best skillsArc Raiders Expeditions

Arc Raiders Field Depots: Where to find 'em
Arc Raiders Field Crates: How to use 'em
Arc Raiders Greasing Her Palms: Cartographer
Arc Raiders A Reveal in Ruins: Buried City pharmacies
Arc Raiders The Root of the Matter: Room with a view
Arc Raiders Armored Transports: Loot patrol cars
Arc Raiders best skills: Survive the surface
Arc Raiders Expeditions: Retire your Raider

Elie Gould
News Writer

Elie is a news writer with an unhealthy love of horror games—even though their greatest fear is being chased. When they're not screaming or hiding, there's a good chance you'll find them testing their metal in metroidvanias or just admiring their Pokemon TCG collection. Elie has previously worked at TechRadar Gaming as a staff writer and studied at JOMEC in International Journalism and Documentaries – spending their free time filming short docs about Smash Bros. or any indie game that crossed their path.

You must confirm your public display name before commenting

Please logout and then login again, you will then be prompted to enter your display name.