Clair Obscur: Expedition 33 creative director speaks about the dark fantasy RPG's stunning Unreal Engine 5 graphics: 'It’s a key foundation for the studio to really look for the latest technology'

Clair Obscur: Expedition 33, a new RPG from Sandfall Interactive, lead character Maelle staring into the darkness — (Image credit: Sandfall Interactive)

One of the games I'm most looking forward to right now in 2025 is Clair Obscur: Expedition 33, a unique-looking new dark fantasy RPG being created by Sandfall Interactive. This is not just because it offers a gameplay experience close to that of a classic Final Fantasy or, in combat, a Persona game, of which I am a big fan, nor that the game sports a very distinctive twisted Belle Époque aesthetic. But also because it’s using Unreal Engine 5, and that means its graphics look fantastic, with notably subtle lighting effects and incredibly detailed textures. Check out the trailer below to get a taste.

YouTube

Watch On

So, having recently sat down with the new RPG's creative director, Guillaume Broche, for a hands-off demonstration of the game, I decided to ask him about the studio's use of Unreal Engine 5 and what it brought to the table for the dev team.

"The production actually started six years ago on Unreal Engine 4, and we‘ve upgraded with every version that came out, and right now we are on Unreal Engine 5. We are big fans of Unreal Engine 5, because, right now, as we have told you, we are a very small team compared to the game we are making. We are a team of about 30 people. We are betting a lot on new technology to be able to achieve that, and I truly believe that five or six years ago it would have been impossible for a team of our size to make this.

"But now with the ecosystem of tech that exists, like with Unreal Engine 5, which saves us a lot of time on everything, like animation, rendering, and everything. For example, the MetaHumans (Unreal Engine 5's framework tools for creating high fidelity digital humans) that we are using for the character’s face – of course, it is 100 per cent customised, but we start from the rig to do all the facial work and everything. So it’s definitely a huge help to help us achieve that. For us, it’s a key foundation for the studio to really look for the latest technology that the other studios have."

Clair Obscur: Expedition 33 male hero Gustave, the leader of the team in this new turn-based RPG — Character models and lighting look fantastic in Expedition 33. (Image credit: Sandfall Interactive)

What's interesting to me about Broche's comments here is that Unreal Engine in general, but obviously Unreal Engine 5 specifically, seems to be most useful for devs in terms of the backend automations and streamlining that makes putting a game together and testing it easier for small teams. I mean, if you showed me the trailer or gameplay footage of Expedition 33 and told me it was the product of a big studio I wouldn't bat an eyelid, so impressive and slick are its visuals and animations. So the fact that this expansive and visually impressive RPG is being developed by just 30 people does seem to show the power of Unreal Engine 5.

Yes, sure, from what I've seen of the game so far, it's not an expansive open world, but the character models, environments and how they are both lit truly is impressive, adding to the cinematic experience and flair of the game, which is already elevated thanks to its unique Belle Époque aesthetic. So, yeah, I'm excited to see more for sure, with Expedition 33 launching sometime in 2025, and here's hoping my RTX 3090 Ti system is up the job of running this game as it deserves to be ran.

Rob is editor of PC Gamer magazine and has been PC gaming since the early 1990s, an experience that has left him with a life-long passion for first person shooters, isometric RPGs and point and click adventures. Professionally Rob has written about games, gaming hardware and consumer technology for almost twenty years, and before joining the PC Gamer team was deputy editor of T3.com, where he oversaw the website's gaming and tech content as well its news and ecommerce teams. You can also find Rob's words in a series of other gaming magazines and books such as Future Publishing's own Retro Gamer magazine and numerous titles from Bitmap Books. In addition, he is the author of Super Red Green Blue, a semi-autobiographical novel about games and gaming culture. Rob loves riding motorbikes, too.