Arc Raiders players have been trading guns for binoculars, and it's making for some incredibly cinematic on-field reporting that's hauntingly good

Arc Raiders: Key art featuring two raiders holding weapons and standing in the middle of the road, turning to run away from a large Queen spider-like robot on the buildings in the background.
(Image credit: Embark)

With its uniquely terrifying robots and opportunities to both team up and betray fellow players, Arc Raiders is a remarkably cinematic and theatrical experience. I've had plenty of great encounters already, like making friends with someone after I killed and looted their buddy, or persuading a bloodthirsty player not to kill me and to protect me instead. I'd like to say I'll remember these moments forever, but no, my brain will unfortunately eject them at some point.

Thankfully, there are a few players who are willing to put guns to the side and bring out the humble pair of binoculars to record and document all the action Topside. It's the only valid use for the binoculars, and I'll not be convinced otherwise.

My favourites so far have been War Tapes by 0biwanKenobi and Podgor's Scenes from the Topside. They're like war reporters, and they take their jobs very seriously—I respect how these videos are framed as if they're in-world reports from the surface.

ARC RAIDERS \\ War Tapes #1 - YouTube ARC RAIDERS \\ War Tapes #1 - YouTube
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With plenty of claustrophobic angles and shaky cam, and lathered with VHS noise and retro colour correction, these 'documentaries' perfectly capture the intensity of fighting Arcs and players while also roughly matching Arc Raiders' 70s sci-fi styling.

It's really something else to see a massive Matriarch stampeding around and unleashing rocket barrages at players scrambling for cover, or a Leaper stalking its prey, effectively from a found-footage perspective. The second episode of 0biwanKenobi's War Tapes is somehow even more scary, making the Matriarch and its Leaper minions feel almost like alien invaders ripped from War of the Worlds as the players scurry about underground.

Now I'm even more scared of taking down the latest monstrosity to get the Aphelion, but maybe I can fill the vital role of team cameraman instead.

There must be something about multiplayer games with scary robots, as it's similar to Helldivers 2's launch, where we also saw plenty of cinematic edits capturing the chaos on the frontlines.

Needless to say, I'm looking forward to seeing more Arc Raiders documentaries, especially if Embark can capitalise on player storytelling and an evolving battleground in a similar way to Helldivers 2. And hey, let's get these brave camera crews a unique press/reporter costume and an actual 35mm film camera, can we?

Arc Raiders Field DepotsArc Raiders Field CratesArc Raiders Greasing Her PalmsArc Raiders A Reveal in RuinsArc Raiders The Root of the MatterArc Raiders Armored TransportsArc Raiders best skillsArc Raiders best weaponsArc Raiders Expeditions

Arc Raiders Field Depots: Where to find 'em
Arc Raiders Field Crates: How to use 'em
Arc Raiders Greasing Her Palms: Cartographer
Arc Raiders A Reveal in Ruins: Buried City pharmacies
Arc Raiders The Root of the Matter: Room with a view
Arc Raiders Armored Transports: Loot patrol cars
Arc Raiders best skills: Survive the surface
Arc Raiders best weapons: Just don't lose them
Arc Raiders Expeditions: Retire your Raider

Rory Norris
Guides Writer

Rory has made the fatal error of playing way too many live service games at once, and somehow still finding time for everything in between. Sure, he’s an expert at Destiny 2, Call of Duty, and more, but at what cost? He’s even sunk 1,000 hours into The Elder Scrolls Online over the years. At least he put all those hours spent grinding challenges to good use over the years as a freelancer and guides editor. In his spare time, he’s also an avid video creator, often breaking down the environmental design of his favourite games. If you can’t track him down, he’s probably lost in a cave with a bunch of dwarves shouting “rock and stone” to no end.

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