Whether you're chatting with your buddies or listening intently for the footsteps of your enemies, your ears deserve the best gaming headset around. We've researched tons and tested more than a dozen. A great headset doesn't just produce clear, balanced sound. It also has to have a good microphone for chatting, and be comfortable for long periods of wear.These are the ones worth your money: an all-around great headset, a great budget option, and a high-end winner if you have some extra money to spend.
Kingston’s HyperX Cloud is priced at well under $100, and the manufacturer doesn’t have the same reputation for quality cans as Creative, or recent debutant to the audio market Corsair, so we were as shocked as any to find such a killer overall package.
In such a crowded marketplace, many big-name manufacturers attempt to stand out from the crowd by offering virtual 7.1 surround setups, making meaningless boasts about ‘4D sound’ or inventing absurd technologies like Mad Catz’ ViviTouch (essentially force feedback for your ears, which is exactly as useful and welcome as it sounds).
Frequency response range:10 Hz—20 KHz
Connection type: 3.5mm jack (comes with airplane adapter)
Cable length: 3-meter
Mic type: electret condenser
Kingston doesn’t play the peacocking game with its $70 HyperX Cloud headset—the only audio product it currently produces—and while that means it’s easily overlooked next to rival products and their wild snake oil claims, its mastery of the fundamentals makes it well worth seeking out.
As we mentioned in the intro, this headset is essentially the wonderful QPad QH90 in disguise. The overall physical design is almost identical. The only difference other than its branding is a slightly more padded headband. Except for that, Kingston saves its tweaking for the audio properties, and rightly so: if it ain’t broke, don’t add neon LEDs and a swivel mic to it.
The body itself is built around sturdy but lightly brushed steel, and weighs in at 350 grams (12.3 ounces). That’s certainly not the lightest on the market, but it never feels heavy on your head. All contact points are finished in soft but durable materials, and the memory foam around each earcup not only keeps you comfortable for long periods, but allows bass frequencies to gently pulsate against your ears so you can feel the full force of an explosion, a grenade blast, or a brostep drop.
By default the earcups are finished in soft leatherette, but you’ll also find a pair of alternative cushions with more of a velvet finish, if that’s your bag. Either option is a closed cup design that covers your entire ear and cuts out external sound very effectively, and with none of the irritating ‘seashell effect’ many headsets suffer. You get an airplane adapter thrown in, along with a carry pouch to keep it safe on the road.
The detachable mic doesn’t look like much, but it’s crystal clear and well-grounded so it doesn’t crackle as you adjust it. The pop shield’s extremely durable, and the overall sound quality’s more than good enough to bring to Twitch streams and YouTube posts.
This is a simple, two-channel stereo setup, so if precise positional audio cues are essential to your purchase, consider other options like the more expensive Creative SoundBlaster Recon 3D Omega. But make no mistake—this is as good as two-channel stereo audio gets in a gaming headset. It may not be able to articulate a bullet whizzing over your head totally immersively, but even with just one driver in each earcup the Cloud produces a great stereo spread, panning sounds dramatically between left and right earcup to create the illusion of a wide aural space.
And what it might lack compared to 7.1 headsets in overall surround positioning, it more than gains back in a multimedia scenario. Unlike so many of its rivals, the HyperX Cloud is just as suited to watching a movie or listening to music as gaming. In no small part that comes down to its broad frequency response of 10Hz—20 KHz. We humans can’t actually hear tones below 20 Hz, but the extra low-end capability means the 53mm drivers can boost audible bass signals with inaudible sub-bass frequencies which are perceptible by vibration. In short—you feel the bass in addition to hearing it.
This boosted low-end is another key amendment to the QPad QH-90’s design, and it’s a big reason we love these cans more than any others on the market. They’re capable of huge sounds, but they never, ever distort or lose clarity in the middle and high range. They sound almost as good as pro audio headphones—and they cost $100.
Of all the headsets currently on the market, we think Kingston’s hit the sweet spot here between luxury, functionality and pricing. Unless you have a definite need for a wireless setup or simply can’t get by without true surround sound, the HyperX Cloud has everything you need, and none of the distracting and expensive extras that you don’t.
The story of the $50 CM Storm Sonuz begins in 2012 when CM Storm (an offshoot of PC case and cooling specialist Coolermaster) releases it around the $100 mark to general disinterest—rival offerings from Creative and Corsair for the same money or less made it irrelevant. Stick with it though, and cut to two years later: their popularity has meant the Creative and Corsair headsets—or revisions thereof—have remained at that price point, while the Sonuz plummets under 50 bucks.
Which is great news, because although its rigid headband design makes it less appealing than Corsair’s Vengeance range, there’s hardly a chasm of quality between the two. If you can put up with its faintly slug-like aesthetic, the Sonuz offers good quality audio with powerful low end, a clear and robust mic and tank-like overall build quality.
Frequency response range: 10 Hz—20 KHz
Connection type: 3.5mm mini-jack
Cable length: 2m
Mic type: omni-directional electret condenser
The earcups are finished in soft suedette and house meaty 53mm drivers capable of low 10Hz frequencies. The earcup design compromises this slightly by failing to close off each ear completely and allow that dreaded ‘seashell’ effect, which means sub-bass frequencies escape unnoticed and the overall tone loses its fullness. So while the Sonuz can’t look our beloved Kingston HyperX Cloud headset in the eye for tonal finesse, it still does a stellar job for the money.
The extra low end is best enjoyed via the creative output of DICE, Infinity Ward, Michael Bay, ad nauseum—but the Sonuz can hack Spotify sessions too. You might not be able to hear every throat clearing in your DIY alt-indie playlist, but you’ll certainly be able to do Skrillex and Rusko justice.
Along the 2-meter braided cable you’ll find a no-frills inline remote that controls overall volume, mic volume, and a mic mute button. Simplicity itself. The mic can be removed if desired, and after months of pulling it out, losing it somewhere and plugging it back in it’s still well-grounded and produces a clean signal.
So the CM Storm Sonuz’s initial overpricing is our eventual gain—now given a really attractive price tag, it’s the best option for those who want reliable hardware with solid sound reproduction and a dependable mic.
Note: While the Sonuz was priced at less than $50 when we originally recommended it, prices on Amazon often fluctuate. At $60 or above, we'd recommend spending the little bit of extra money on the Kingston HyperX Cloud, which is a superior headset.
So you’re feeling flush, and you don’t want to make any compromises—you want the best gaming headset, no matter the cost. Look no further than Creative’s Sound Blaster Recon 3D Omega, a headset that would reign supreme in a world that judges earphones purely by number of baffling buzzwords in their name and, more relevantly, also offers the best overall package above the $200 mark.
These are wireless cans, with the mobility benefits that come with it but without the range and battery dramas. We’re able to take the headset anywhere in our house and stay within range (though admittedly we’re not talking mansion-level floor space) and once fully charged the battery gives you roughly ten hours of faithful service before it needs to be hooked up to the juice again via mico USB cable.
Frequency response range: 20 Hz—20 KHz
Connection type: Wireless (SPIF + USB required for Recon3D soundcard)
Cable length: 1m (SPDIF)
Mic type: electret condenser
But more importantly, these are surround sound wireless cans that come with an external sound card. This is what really sets the Recon3D Omega apart from other top end headsets—the quality of its sound cue positioning, and the sheer amount of customisation possible using the Recon3D hardware and bundled software.
There’s a button on the Recon3D soundcard itself labelled ‘Scout Mode.’ This will be of particular interest if you play a lot of shooters and need to keep your ears pricked for footsteps; it practically cheats for you. Enabling Scout Mode accentuates sounds enemies make nearby, the idea being you hear them earlier and thus are able to take the initiative.
From an audiophile’s standpoint Scout Mode sounds horrendous, like touching down from a flight and not being able to equalise your ears. However, it does make footsteps a touch easier to listen out for in the mix. Similar modes have been attempted by other manufacturers, but none are quite as effective.
Usually it’s wise to run for the hills when a headset promises audio that goes ‘beyond’ 7.1, but Creative’s SBX digital surround technology works fantastically, tricking your ears into believing they’re hearing more than eight speakers around them by using just one 50mm driver per ear and digitally interpolating a sound space around your head. Headsets using multiple drivers or digital tech similar to this are both prone to producing muddy sound that simply isn’t suitable for music or movies, but the Recon3D Omega produces tight and precise audio in every scenario.
And, while this isn’t a clincher, the bundled software is absolutely exhaustive. It allows you to create and save custom profiles for use on different devices (it’s happy with Macs and consoles from current and last generation in addition to PC, connected via SPDIF and USB to all), and even throws in some voice manipulation. Invaluable if for some reason you insist on talking to all your online friends using a robot voice.
The surprising level of comfort offered by these relatively heavy earphones is the icing on an already enticing cake. Despite their bulky frame, the Recon3D Omega cans remain unobtrusive through multi-hour sessions and even emit a satisfying blue LED throb when turned on. Useless, since you can’t see it while you’re wearing the headset, but a touch of quality nonetheless.
To some extent, the perfect gaming headset is the one that’s most comfortable for your particular head and ear shape—like finding a mouse that suits your grip style. But there are also lots of handy empirical metrics that can be used to separate the wheat from the chaff—frequency response, driver size, and mic sensitivity are key specifications for assessing overall quality, along with boring but pragmatic considerations such as cable length and weight.
The price range for headsets is extremely broad. In general we’d advise that between $80 and $120 is the sweet spot—headsets above that mark have little to offer but garish LEDs and travel bags, and the ones below start to show evidence of major compromises.
We spend hours benchmarking every headset we cover, running a full 20Hz—20 KHz frequency ‘swoop’ using a simple sine wave to determine if the cups can produce the full range of thunderous low-end frequencies and crystalline highs their manufacturers promise on the back of the box.
Once we’ve established the range of a headset’s frequencies, we listen out for harmonic distortion and changes in dB levels between frequencies. Many audio manufacturers will artificially ‘scoop’ the midrange from the EQ to accentuate the bass and high-end tones either side of it, but generally you’re looking for a fairly flat EQ so that not only do your games sound good, but your music does too. Listening to songs you know very well with a new headset gives a good indication of which frequencies it’s boosting and cutting.
From there we run software programs and audio files designed to calibrate surround mixes in order to get a feel for the headset’s positional audio qualities. Many gaming headsets claiming to offer 5.1 surround mixes are doing so digitally rather than by using several tweeters—which isn’t necessarily a negative, but the two produce different effects and must thus be thoroughly tested.
A lot’s learned about a headset from a long, four hour-plus gaming session. If you don’t have a headache in the area of your skull that the headband sat on, you’ve found yourself a fine set of cans. If your ears remain relatively perspiration-free—ditto.
In addition to overall build quality, we factor in connection options, bundled software, customisation options, inline remote and any other peculiarities of the overall package.
We put a ton of headphones on our ears before settling on the best cans. Here are some of the ones we used, and why we didn't think they were as good as the Kingston HyperX Cloud.
Audio-Technica is one of the most esteemed names in the pro audio market, so it certainly has the technical know-how to produce great tone and comfort. Unfortunately all that know-how went walkies during the ATH-AG1’s design.
Yes, the gold trim is shiny and pretty, but these cans feel flimsy and on some shapes of head simply won’t sit in a useable position. That alone would put them out of contention, but the uninspiring sound reproduction is the nail in the coffin.
Along with the newer 1400, this mid-range headset from Corsair’s a strong contender for both best overall and best budget headset, losing out eventually to Kingston’s HyperX Cloud on the basis of build quality and low end oomph for the overall spoils. Its popularity means it hasn’t yet dipped below £50, but snap one up as soon as you see that happen.
Corsair’s wireless headsets are designed with simplicity in mind, and as a result the 2100 is easy to set up and offers a mighty battery charge time. However, for well over $100 its sound quality lets it down, producing slightly muffled midrange tones. Some bundled software would have been nice, too.
Gamdias is a little-known east Asian manufacturer making promising strides in the budget end of the headset market. The Hebe is its best yet and is priced well below £50, but its scarcity with US vendors and slightly suspect build quality push it out of contention.
Unlike the Hebe, the Hephaestus attempts a few flourishes designed to catch the eye of pro gamers and kit enthusiasts. The result? Not good. Are we really buying the idea that a headset requires a heatsink?
Well-made, capable of substantial bass, but frankly just too silly to be in with a serious chance. Firstly there’s the ‘4D’ surround sound nonsense—its surround capability is some way off shattering the laws of physics—then there’s ViviTouch, the force feedback system for your ears. A fascinating curio, but not worth the outlay.
The clue’s in the title. Ozone attempts to mimic pro gaming headsets at a much lower price point, and produces mixed results. The visual aesthetic is flashy, the carry-case is a welcome touch, but the sound quality itself is slightly disappointing, despite offering surround capability.
Our favourite headset for a long time… until Kingston came along and improved upon it just that little bit with an updated look and muscular 53mm drivers. So close, QPAD…
If your priorities lie in microphones, Sennheiser attaches brilliant mics to every model of headset it produces, and the G4ME One is no exception. However, the fact that we’re singling out a mic as the best thing about it speaks volumes (pun intended).
Like the G4ME One, but with an even sillier name.
These headphones look incredibly comfortable but are actually tight and ear-crushing after a bit of use. The mic is also low quality for a premium-priced headset. A new version of the Siberia Elite may be fixing these issues.
Offers true surround sound by virtue of its 4 drivers in each earcup, but still doesn’t produce audio quality up there with our top end pick, the Recon 3D Omega, and doesn’t come with nearly as many fun extras.
As that telltale ‘i’ in its title suggests, these luxury earphones are designed primarily for use with Macs, but play just as nicely with PC. A quality package offering a discrete internal mic, EQ presets which can be cycled via buttons on the headset, and an external sound card. It’s considerably pricier than our top end pick from Creative though, and isn’t as well-suited to gaming.
Another Turtle Beach headset that calls a different platform home—in the PX4’s case, the PlayStation 4. The only drawback to using it with PC is that you’ll need BlueTooth connectivity to use the mic. It’s almost worth that hassle, because the surround sound quality and comfort level of the headset are phenomenal, but ultimately that extra work sidelines it from serious contention.
The headset market is massive, and it changes every day. Our ears can only test so many cans, so it’s impossible to field test every single product available. Instead, we’ve tested headsets from a variety of price points and manufacturers, from the established stalwarts to lesser-known upstarts. The products we singled out as the best in each category are ones we’ve lived with for weeks, sometimes months, and tested thoroughly through synthetic benchmarks and day-to-day use.
But those picks aren’t set in stone. Asus is making big strides in the market, likewise Shogun Bros. Steelseries has also released a refresh of its Siberia headset line, including a the Siberia V3 and Siberia Elite, which we plan to test. Look for more details on Astro, Plantronics, and Steelseries in a future update.
We’ll keep this list as up-to-date as possible as manufacturers release promising new kit which threatens to dethrone the current best-in-class cans. Watch this space.
A note on affiliates: some of our stories, like this one, include affiliate links to stores like Amazon. These online stores share a small amount of revenue with us if you buy something through one of these links, which helps support our work evaluating PC components.