Hotline Miami
Dennaton's frenzied murder death kill rampage sim bludgeoned its way into our hearts last October. The top down perspective does little to distance players from the lurid and sudden torrent of violence that pours out of the monitor every time you kick in the front door of a new level, but none of it would be quite the same without the soundtrack ( hear it here ). Crazed bouts of electronica bring a psychotic sheen to every improvised killing spree. Grab the knife. Stab the dog. Throw the knife. Grab the gun. Kill the man. Kick the door. You're on a dance floor. Kill them all!
Hotline Miami's strange delirium is so infectious that IGF nomination seemed assured. Our pick for the best music in a game last year is in the running for an audio excellence award, and it's battling for the top spot in the Seumas McNally Grand Prize category too.
Dennaton's production habits may be partly responsible for Hotline Miami's sense of pent-up, frenetic energy. Jonatan "Cactus" Söderström is used to turning games around in less than a day. "I usually stop when it gets hard to push the idea further or doesn't feel like it's worth it to keep pushing," he told us in an interview in PCG247. "Some game concepts work a lot better if you keep them small and concentrated and would just get repetitive if you try to make something bigger from them."
The concept of Hotline Miami has been around for a while, however. "My original idea, when I made the first prototype called Super Carnage, was just to make the goriest game I possibly could, with as many weapons as possible. I was only 18 at the time so it was a pretty silly and incomplete idea," he said.
"Then I remade it about a year later, this was after playing some of Ikiki's games and I really wanted to capture that feeling of always being outnumbered and having to master the controls and plan your actions to beat a level. I had to quit though, because I couldn't solve the pathfinding I needed for the AI. Then last winter I realised I was now able to do the whole thing without any technical problems, so I showed the old prototype to Dennis (Wedin, Dennaton's artist). He liked it a lot and started doing graphics for it before I knew it."
It turned out pretty well. In fact, we liked it so much it secured a score of 86 in our Hotline Miami review . If you've played through it five times already and need another fix, cool your jets. Dennaton are preparing a sequel. More "sweet tunes" are planned.
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