Finally someone turned Doom into an enriching cultural experience for art snobs

Doomguy holds a glass of red wine in an art gallery
(Image credit: Filippo Meozzi and Liam Stone)

Doomguy has been everywhere. He's been to Mars, he's been to Hell, he's been to Thatcher's England. But what's he do between monster-murder sprees? He pops down to a museum opening to better himself.

In Doom: The Gallery Experience, you walk around a rejigged E1M1 with a cheeky glass of red in hand looking at Piero Di Cosimo's Return from the Hunt and a vase from the fourteenth century. There's not an imp in sight, unless you count the baby Jesus in Francesco Francia's Madonna and Child, who has always looked a bit sus if you ask me.

Jody Macgregor
Weekend/AU Editor

Jody's first computer was a Commodore 64, so he remembers having to use a code wheel to play Pool of Radiance. A former music journalist who interviewed everyone from Giorgio Moroder to Trent Reznor, Jody also co-hosted Australia's first radio show about videogames, Zed Games. He's written for Rock Paper Shotgun, The Big Issue, GamesRadar, Zam, Glixel, Five Out of Ten Magazine, and Playboy.com, whose cheques with the bunny logo made for fun conversations at the bank. Jody's first article for PC Gamer was about the audio of Alien Isolation, published in 2015, and since then he's written about why Silent Hill belongs on PC, why Recettear: An Item Shop's Tale is the best fantasy shopkeeper tycoon game, and how weird Lost Ark can get. Jody edited PC Gamer Indie from 2017 to 2018, and he eventually lived up to his promise to play every Warhammer videogame.