Former Sony exec says focusing on high-budget blockbusters is 'a death sentence' for the games industry

SIE Worldwide Studios Chairman Shawn Layden speaks onstage at the PlayStation E3 2018 Media Showcase at LA Center Studios on June 11, 2018 in Los Angeles, California.
(Image credit: Charley Gallay / Stringer via Getty Images)

Speaking at Gamescom Asia, former PlayStation executive Shawn Layden offered a grim diagnosis for the state of the games industry: AA studios have disappeared, and rising development costs have left the industry in a creative death spiral (via GamesIndustry.biz).

In the games industry's younger years, Layden said, "we spent a lot more time looking at games and not asking 'what's your monetisation scheme', or 'what's your recurrent revenue plan', or 'what's your subscription formula'? We asked the simple question: is it fun? Are we having a good time? If you said yes to those questions, you'd usually get a green light."

I think Layden's on the mark about the upward-spiraling costs of game development promoting a creative stagnation in AAA games, but I'd argue that AA games aren't as dead as the former console executive might think, and Steam has all the evidence anyone could need. That's not to say mid-budget games have it easy: They're in the unenviable position of having to compete with both the high-cost visual tech of their AAA counterparts and the lower price tags of smaller-budget indie games. In some cases, like Larian with Baldur's Gate 3, graduating to AAA production values was the key to finding a new level of success. Sometimes it doesn't go so well—in the case of Shadowrun developer Harebrained Schemes, the failure of The Lamplighters League resulted in major layoffs and a split from owner Paradox Interactive to go indie with a much smaller headcount.

While I'm a bit more optimistic about the state of the AA space, I share Layden's hope of getting "a bit more interest and excitement and exposure" for lower budget, unconventional game projects. "If we're just going to rely on the blockbusters to get us through, I think that's a death sentence," Layden said. Considering what happens when those blockbuster bets fail—generally, havoc in the form of layoffs and studio closures for the people developing our games—I'm inclined to agree.

News Writer

Lincoln has been writing about games for 11 years—unless you include the essays about procedural storytelling in Dwarf Fortress he convinced his college professors to accept. Leveraging the brainworms from a youth spent in World of Warcraft to write for sites like Waypoint, Polygon, and Fanbyte, Lincoln spent three years freelancing for PC Gamer before joining on as a full-time News Writer in 2024, bringing an expertise in Caves of Qud bird diplomacy, getting sons killed in Crusader Kings, and hitting dinosaurs with hammers in Monster Hunter.