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Five ways World of Warcraft changed MMOs forever
There are two kinds of revolutionary game: the ones that create genres, and the ones that change genres forever. In the former category you’ll find Wolfenstein 3D, Herzog Zwei, Ultima Online; in the latter Half-Life, Dune 2, World of Warcraft. These games aren’t just influential – they fundamentally alter the expectations of players and developers. After WoW, the MMO genre had a shape and a set of principles that would define millions upon millions of hours of playtime over the course of the next decade. After WoW, it wasn’t possible to make an MMO in the west without explicitly or implicitly commenting on World of Warcraft.
The flavour of the world
World of Warcraft inherited – as you might expect – Warcraft’s look and tone, and that meant a certain amount of colour, humour, and visual abstraction. Naturally, it was divisive. EverQuest might have departed from Ultima Online’s commitment to simulation, but the notion remained that these were (relatively) realistically-depicted places. World of Warcraft’s lore is taken seriously and its locations are characterful, but it was also clearly a gameworld designed to entertain. This isn’t a criticism, necessarily – Azeroth is one of the most extraordinary detailed game spaces ever created, and Blizzard’s talent for environmental storytelling was and is a joy. But it marks a philosophical change that has been enormously influential: “you are not creating a real place,” was World of Warcraft’s message to developers. “You are creating a compelling image.”
Levelling and quests
The notion of levelling through experience rewards granted by completing quests was one of World of Warcraft’s most important innovations. Previously, quests and levelling had an indirect relationship with one another: you’d get experience for killing monsters, but the narrative you were following had more to do with the story of the world or securing a powerful item. It was always more efficient to set up camp near a monster spawn and level up there than to move about the world.
Instances
It’s hard to imagine a time before instancing. Similar to the game’s egalitarian quest system, giving every group of players their own version of a dungeon utterly changed the role of these dangerous places. Dungeons were no longer holes in the ground that might have some scary monsters in them: they were planned and meticulously constructed individual co-op challenges, designed for specific numbers of people and readily accessible whenever you wanted to attempt a run. No more queuing for the best spawns, no more ‘zerging’ a dangerous place with three times as many players as are necessary to beat it.
Talents
If you’ve ever played an MMO where your character has approximately 31 points to divide between upgrades split across three ‘trees’ based on their class, thank World of Warcraft – and, by extension, Diablo II. Of all of World of Warcraft’s ideas that have been adopted by other games, the original talent system is one of the rare ones that has been adopted wholesale – to the extent that Star Wars: The Old Republic uses it exactly as it was when World of Warcraft launched.
Raids and gear
Raiding existed before World of Warcraft, but Blizzard established a structure for large group adventures – and the busywork that occurs between them – that effectively created a new game in its own right. No more haphazard attempts at rare bosses here: WoW’s original raids were tough as steel, designed for a fixed number of players, and granted rewards to only a few. Developing strategies to maximise the intake of new items formed the basis of a logistical challenge that only the very best guilds could crack, and the need to fairly distribute scant loot created economies outside of the game – raid ‘points’ that rewarded participation and guaranteed that you’d get a good item eventually. Many of the systems that players created to handle World of Warcraft’s toughest content would eventually be folded into the game – and into its competitors – as full-fledged features.
